I came here to cuss and look at titties and I'm all out of titties
Jess - Kitty - Cat - Catbutt
Missouri, USA
Panromantic Ace
♥Bondmate♥
Femandro (she/he/they idgaf)
Older than you unless you're over 30.
SJW feminasty. Video game garbage and cats mainly. I ramble alot too. Twitter DeviantArt FurAffinity catbuttcat on PSN OC Masterpost of all the characters I've made in my many fandoms.
this is by far my favorite safety/warning sign btw. they really went off with this one
No cuz I fucking love this sign. It’s not an actual barrier so it’s not like some sort of challenge it simply says “fuck around and you will find out”
Ohohoho I LOVE “fuck around and find out” signs, especially the really dramatic and ominous (but true) ones
(Context for the last one: it’s a WWII era sign posted around the soldiers’ washroom mirror, warning them to never discuss military plans in places where civilians could hear them and report back to the enemy, e.g. in restaurants and pubs in the country. “Loose lips sink ships”.)
I also love these two, which I would place in the category of “You already fucked around, now you’re about to find out.”
Aerated water is fucking scary. It’s water that has a fuckton of gas in it, which reduces the buoyancy to the point where you will immediately start to sink if you fall in.
ive been collecting these recently and wanted to add some of my favorites
I’m crying because when my dad was eighteen he was going to join the airforce and then the night before he had a dream that Jesus slapped him in the face with a gigantic fish and asked him what he was doing and he woke up and thought, “Jesus is right what am I doing?” And that’s why my dad did not join the military.
You really just can never watch this often enough.
Is so funny how you had a bunch of liberals and Anti-sjw’s going “NOOO YOU JUST GAVE HIM MORE ATTENTION NOW HE WILL WIN IN THE MARKET PLACE OF IDEAS™! YOU EBIL LEFTISTS ARE JUST GIVING MORE POWER AND RELEVANCE!” and how he’s a literal nobody, after more of his unhinged beliefs got exposed not even right wingers and Nazis care to associate with him, he can’t get or keep a actual job, has no friends and is begging women on Tinder (hook up culture much?) to go on dates with him by claiming he doesn’t believe in Nazi shit anymore.
A nobody and a loser, hope Steven Crowder is ready to have him as his new roommate.
Anyways, the moral of the story is: Always assault fascists, and the more publicly, the better.
I would like to highlight an element of Fascist philosophy:
Might makes Right
Part of the draw of the Fascist philosophy is protection from consequence as a result of a monopoly on force. Therefore:
A physical assault on a Fascist, especially one that results in public humiliation, isalso a philosophical assault.
Repeated for clarity:
Punching Fascists is also an assault on their beliefs.
The 1870s was a period of marked romanticism and whimsy in fashionable dress. Much like the picturesque paintings of Renoir that depict such confectionary creations, both day and evening gowns were highly ornamented and often executed in delicate, feminine textiles. Though eveningwear was marked by décolleté necklines and lavish silk satins and taffetas, day dresses were made more modest with austere fabrics like cotton or wool. While many women owned walking and traveling dresses which afforded slightly greater moveability, also quite common was the summer day dress that was to be worn to an afternoon tea or reception.
This garment, emblematic of warm weather day dresses of the period with its sheer printed cotton and delicate lace trim, is a particularly pristine example, and notable for its clear revival of eighteenth–century aesthetic sensibilites. The late nineteenth century, abetted by the luxury and progress of the Industrial Age, recalled distinctly, both in its textiles and in the etiquette that surrounded fashionable dress, the notorious material excesses of the third quarter of the eighteenth century. The wealthy classes of the late–nineteenth–century showed a particular respect for the formalities of fashion. While their garments were not nearly as ornamental and their entertaining circles not as elitist, the decorative effects of late nineteenth century afternoon reception dresses such as this one unarguably echoed the lavishness of the eighteenth–century gown, most notably here in the sleeve and neckline.
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